During this final phase of my
existence as an autonomous being on this earth, our only home, I would like to
shift my focus to that somewhat intangible aspect of being I refer to as peace
of mind. I did refer to my time in life
as a final phase not on account of any serious or debilitating illness but on
account of the inescapable reality that the time ahead of me is far shorter
than the time that has already elapsed.
Realistically, we are all dying in that as soon as we are born our
trajectory is clear although the time allotted may vary.
I have included the following poem –
I wish to say farewell
to all trivial considerations,
all venal and self-serving dreams,
all of ego’s darlings
piled up like so many useless
magazines
cluttering the thoroughfares of the
mind.
I wish to terminate the leases
of all the shabby and unwanted
tenants that
occupy the precious real estate
within
my neuronal wonder.
I wish to finally release all the
hostages
reminiscent of bygone desires and
missed opportunities,
they take far too much succor to
retain.
I wish to welcome all of
life’s truly wondrous aspects,
of nature’s magnificent presence
and finally let all of existence
consume me
within the grasp of perfect peace.
These series of wishes as outlined
above, represent both individually and collectively a challenging set of
goals. Over my lifetime, I have
accumulated a torturous array of tattered remnants that no longer serve any
useful purpose and that, in fact, present serious obstacles to a fuller
appreciation of the wondrous quality of being.
To quote the master (William
Shakespeare) -
THE SEVEN AGES OF MAN
All the world's a stage,
And all the men and women merely
players;
They have their exits and their
entrances,
And one man in his time plays many
parts,
His acts being seven ages. At first
the infant,
Mewling and puking in the nurse's
arms.
Then, the whining school-boy with his
satchel
And shining morning face, creeping
like snail
Unwillingly to school. And then the
lover,
Sighing like furnace, with a woeful
ballad
Made to his mistress' eyebrow. Then,
a soldier,
Full of strange oaths, and bearded
like the pard,
Jealous in honour, sudden, and quick
in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then,
the justice,
In fair round belly, with a good
capon lined,
With eyes severe, and beard of formal
cut,
Full of wise saws, and modern
instances,
And so he plays his part. The sixth
age shifts
Into the lean and slippered
pantaloon,
With spectacles on nose and pouch on
side,
His youthful hose, well saved, a
world too wide
For his shrunk shank, and his big
manly voice,
Turning again toward childish treble,
pipes
And whistles in his sound. Last scene
of all,
That ends this strange eventful
history,
Is second childishness and mere
oblivion,
Sans teeth, sans eyes, sans taste,
sans everything.
As You Like It (Jaques, Act 2 Scene
7)
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